| To this day, the message conveyed on the first flier announcing the formation of 108 perfectly encapsulates the purpose of the band: "Direct expression. Bypass mind. Bypass intellect. Self to sound. Against the dead trend. The robot me. The modern social entity stripped of color and vibrancy. Not philosophy. Not religion. True self expressed in sound."
No one can deny that fake fashion posturing and lifeless clone music are on the verge of killing heavy music. Revolted by these trends, those who followed 108, even those who thought they had outgrown the genre, are responding to the band's psychedelic noise infusion, brutal riffage, and incisive lyrics with enthusiasm and profound relief. Those who never experienced the band before have been given access to a band that changes their perception of what a punk band can be. On an undeniable rampage, 108 is shocking listeners back to consciousness and getting them thinking again, feeling again, and banging their heads in defiance at the near-death of heavy music with a message.
Their first proper studio album in over a decade, "A New Beat From A Dead Heart" was recorded and engineered by Kurt Ballou (Converge) at Godcity Studios. With the opening bass line of "Declarations On A Grave", 108 transports listeners to a new aural plane with it's jarring grit and intensity. Standout track "Three Hundred Liars" is as musically infectious as they come, pulsing and writhing through it's many sonic twists and turns. And elsewhere on the album "Angel Strike Man" soars with a Bad Brains-esque white hot anger while "The Sad Truth" cuts deep with repetition and poignant poetic vocal styling. These, along with the other songs on the album, are all sonically unique and spiritually invigorating. Redefining "heavy" with their controlled chaos, drive to enlighten, and will to inspire through sound. All of these qualities make "A New Beat From A Dead Heart" the kind of rare artistic achievement that few bands could ever attain. |
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