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| Specialist in extracting music from images – for more than a decade he has composed sound tracks for TV Globo – the composer, pianist and arranger, Alberto Rosenblit, re-releases, through Biscoito Fino, his praised album, Trilhas Brasileiras.
There are ten themes writte |
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 | Trilhas BrasileirasNot Rated
Released: 2005 |
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| Specialist in extracting music from images – for more than a decade he has composed sound tracks for TV Globo – the composer, pianist and arranger, Alberto Rosenblit, re-releases, through Biscoito Fino, his praised album, Trilhas Brasileiras.
There are ten themes written by him, explicitly influenced by composers as Villa-Lobos, Gershwin and Jobim on choros, bossas, sambas, maracatus and other styles of the wide range of Brazilian sounds, but also close to concert music, the waltz, the sound tracks of great American shows and musicals.
For this recording, Rosenblit included orchestrations, almost always symphonic, with violins, violas, trumpets, trombones, flutes, cellos, French horns, oboes, bassoons, vibraphones. The directing is done by Rosenblit and Vittor Santos.
Santos´s trombone is a strong presence in De Bem com a Vida – together with Paulo Jobim´s guitar and Marcelo Martins´s flute – in a Gershwinian cut that also features the cellists Jacques Morelenbaum and Marcio Mallard. Andréa Ernest Dias´s flute and Victor Biglione´s guitar along with Guilherme Dias Gomes´s flugelhorn add to the intricate harmony of Vargem Grande.
Andréa is still present on Na Rua Sol Maior, dedicated to the piano teacher of the composer, Vilma Graça, and in the choro Domingo, made for his mother, the pianist (like her son), Clara Rosenblit. Os Meninos is dedicated to Rosenblit´s children, Nina and David, and features Jessé Sadoc (trumpet), Cristiano Alves (clarinet), Jota Moraes (vibraphone), Jorge Helder (bass), Maricio Mallard, Alceu Reis (cellos) and the whole orchestra.
The arrangements of Happy End and Comboio Brasil stamp greatness on the elaborate compositions of Rosenblit, whether in paying homage to cinema, or absorbing the orchestrations typical of a Villa Lobos, or of a Jobim. Blue Window, with only Rosenblit´s piano, and Saudade da Roseira (with Odette Ernest Dias on flute and Phillip Doyle on French horn), inspired by Jobim, show what the composer calls the “the search for the aesthetic of delicacy.”
“I play the piano on all the tracks because Vittor Santos told me: ´you have to show up as a pianist, not only as a composer.´ And the pianistic touch of this recording really pleases me. This is even more so because for a long time I have been looking for the aesthetic of delicacy. The world is very violent. We are experiencing a lot of violence in every area of activity, every minute. So, to defend myself, I have been looking for this aesthetic of delicacy” – conceives Alberto Rosenblit. |
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