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The Silver Rule Of Music Marketing
Selective Perception (a method for mixing music)
Marketing Music: Your Band Brand
What happens on the Internet, stays on the Internet. Forever.
Marketing Online Outline For Promoting Your New Album on iSound
Engaging the Community
Branding Your Band
Tracking The Traffic To Your Website
Understanding Tipping Points
Fame and Fortune
4 Services That Can Help Your Band
New Technology Makes the World an Oyster for Independent Artists
QUOTES FROM THE BEST SONGWRITERS
The Five Rules in Creating Successful Press Releases for Your Band
Bar Video Monitors
Top 10 Music PR Tips
Installment 2 – Your Core Beliefs
Nine Steps to Online Forum Creation for Band Websites
The Long Tail to Sales
Eleven Social Networking Steps to Promote Your Music Online
The Artist Press Kit
Fan Email Marketing Made Easy
Four Online Promotional Steps Every Band Needs To Implement
20 Steps to Creating a Successful Blog for Your Band (Part 2 of 2)
20 Steps to Creating a Successful Blog for Your Band
Eleven Ways Bands Can Utilize their Website to Promote their Music
Tips On Getting More Fair Dates and Corporate Gigs
Recording & Producing Music at Home, Part 2: Fighting Even More Noise
Recording & Producing Music at Home, Part 1: Fighting the Noise
WHy playing live is so important
What is 'Podsafe' Music?
THE ARTIST BIOGRAPHY
Building An Effective E-Mail List and Delivering the Right Message
People Skills plus Networking Lead to Great Relationships
AUDITION AND INTERVIEW COMPLETE BUT NO REPLY... WHAT DO I DO NOW?
are house concerts for you?
How To Get Your Music Going Without Major Label Support
Preparing A Professional Promotional Package... Part 3
Rub a dub dub three men in a pub
Preparing A Professional Promotional Package... Part 2
Get Better Results With A Distinctive Promo Package
Getting Better is All About Promotion! Promotion! Promotion!
Music Pre-Production Values
A NEW YEAR IS THE BEST TIME TO MAKE POSITIVE CAREER CHANGES
Cool Gizmo Alert: Seymour Duncan SFX-01 Pickup Booster
Entrepreneurship Is The Key To New Artist Success Today
'Tis The Season To Turn On Promotional Efforts
SELF PROMOTION VS REPRESENTATION: WHEN SHOULD AN ARTIST SEEK HELP?
Things You Can Do That'll Boost Your Career
The Most Successful Performer Is Always "Takin' Care of Business"
PREPARING A PROFESSIONAL ENGAGEMENT CONTRACT...
IT'S TIME FOR YOUR ANNUAL NEW YEARS REALITY CHECK
Make A Fresh Start... Dream Big and Do Your Homework!
A Good Attitude is the Key to Successful Conflict-Management
Image: It Still Matters More Than The Music
ALWAYS BE THE BEST THAT YOU CAN BE!
How Performers Can Flub The Interview... But Don't Laugh
Review: Genz-Benz G-Flex 2x12 (guitar cabinet)
Lou's 'Fat Tracks' Recording Tip
Cool Gizmo Alert: Koch Loadbox II
Some suggestions for chord playing
I Am a Good Entertainer How Can I Get Better Gigs?
Agent Friendly Websites Not Too Friendly For Agents
An Introspective Look At the Exclusive Agent Question
Promotion and Marketing Tips For Professional Performers
Exploring the Career Direction in a Changing Music Industry
Negotiation... The Discussion Before the Contract Stage
Image is Everything
Create Local Buzz For Your Band
Communicating with your Fan Base
interview with sherwood
Taking Back Sunday Interview
The importance of blogging and keeping your content fresh
Tuesday, May 29th, 2007
Building An Effective E-Mail List and Delivering the Right Message
With over 100 emails coming in everyday, I try to set aside a couple of hours each day answering them. I am a firm believer that anyone who takes the time to write me for a legitimate reason, deserves a reply. However, I have noticed an increasing amount of junk that artists put into their emails. In a word, it's becoming very frustrating.
Most artists are not getting the response they expected from their email announcements. Some of the problems deal with the timing of the emails and some with the message itself... one major reason artists don't receive the turnout they expect to their live shows is that they may be emailing their announcements to the wrong people!

One of the biggest problems I have found is that artists don't collect some of the most important information when having people sign up on their mailing lists. You need much more than just an email address to really make a positive connection. Here's what you need and why...

Correct Name - You should "Personalize" your emails. It makes the email recipient feel important... And, there is nothing worse than a wrong or incorrectly spelled name.

Email Address - Review your current email addresses carefully. If recipients have a Hotmail, Yahoo or other free email address, it is possible that your emails are not getting through! Free services have limited storage space, which spammers fill quickly, and emails often get "dumped" before they are delivered. (That means erasing email messages before they go through their servers) If you get a free service email address, ask for another. Or, at one point, send out a response request that requires a reply... and delete those that do not respond.

City & State - While you may know where they signed up, you still need to mark it down in your database for easy reference. It doesn't make much sense to email someone about a show that is hundreds of miles away from them! Separating city & state also helps you pinpoint which areas should receive a particular message.

Zip/Postal Code - Most cities are huge. For example, Los Angeles is about 90 miles in diameter. Simply listing someone as living in LA doesn't work. As you know, anyone who comes to see your live performances at bars/taverns/clubs & pubs will only drive a few miles to and from the establishment because of drinking and driving issues. Research what are the closest zip codes around the venue and only invite those fans that reside in those zip/postal codes to the shows. After all, even if you were invited to a show that didn't serve alcohol, would you drive 50 miles each way?

Venue & Date - The venue & date are things you should definitely put in a separate field when entering information into your database. Always make a note of which venue each person came to see you at because they will most likely come see you at that same venue again. Noting the date is important because it shows you when they last came to a show.
These are the basic items that your email database should include. Now, let's review a few points on writing them so you get a maximum return on your promotional efforts.



Gig & Show Announcements - Unrelated information seems to be the greatest source of frustration among artists and industry types on your mailing list. Most announcements don't provide enough insight as to the purpose of the gig or why this gig is more important than the last one... or the next one. Is there something new, a new CD, or are you just having a party? Let people know what your event is all about.

Also, if you are going to announce a gig, be sure to include all the venue information, i.e. where it is located... general directions and the phone number (where someone actually answers.)

One more thing about gig announcements... know your audience. Why tell someone in Memphis about your Wednesday night gig in Nashville? Is there an important reason why someone halfway across the State should come to your show on a weeknight? Are you showcasing for a record label? Why should they come? Why should they care?

Follow-up Show Announcements - Weekly newsletters/updates from bands is another email "no-no". There is often no relevant information in them except another plea to come to the next show or a request to vote online for them in some kind of contest or award nomination.

Newsletters - Monthly newsletters can be a great source of information... they keep your fans and industry contacts up to date on what's happening with you and/or your band. However, they should contain some significant information. Include fun stuff like what happened to you on your last gig or tour... but, you must include some substance and send monthly, not weekly, or daily.

Check Out My Website - This type of request is totally unnecessary. Your web address-link should be included in every e-mail... the recipient will know they can go there if they choose to. Sending someone an email with an unsolicited request doesn't make a lot of sense. But, when someone does go to your website, be sure it contains all the key ingredients... like a full bio, references, audio samples, recent photos, and more importantly, a decent video clip. Don't ask anyone to review your website until it contains all of the above. Even then, if you want someone to review your video and publicity materials... mail it to them. Asking people to hire you on the strength of a website (no matter the content) is probably not a good idea.

As a final note... when writing emails, keep it simple. An email that has a clear purpose and meaning get a lot more response than one that doesn't seem to have any point. Don't "bombard" them with the same requests every other day. Your e-mails will eventually end up being ignored.

The best approach to emails is to think of something creative to say. Keep it short and to the point. Let people know what you want in response to the email. For example, you hope they will... "check out your next show"... "hire you for their next event"... "buy a copy of your new CD", etc. If they don't respond... try them again next month.


Posted By Les Vogt @ 12:00 AM
Author's site: http://www.members.shaw.ca/lesvogt
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