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What happens on the Internet, stays on the Internet. Forever.
Marketing Online Outline For Promoting Your New Album on iSound
Engaging the Community
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Fame and Fortune
4 Services That Can Help Your Band
New Technology Makes the World an Oyster for Independent Artists
QUOTES FROM THE BEST SONGWRITERS
The Five Rules in Creating Successful Press Releases for Your Band
Bar Video Monitors
Top 10 Music PR Tips
Nine Steps to Online Forum Creation for Band Websites
The Long Tail to Sales
Eleven Social Networking Steps to Promote Your Music Online
The Artist Press Kit
Fan Email Marketing Made Easy
Four Online Promotional Steps Every Band Needs To Implement
20 Steps to Creating a Successful Blog for Your Band (Part 2 of 2)
20 Steps to Creating a Successful Blog for Your Band
Eleven Ways Bands Can Utilize their Website to Promote their Music
Tips On Getting More Fair Dates and Corporate Gigs
Recording & Producing Music at Home, Part 2: Fighting Even More Noise
Recording & Producing Music at Home, Part 1: Fighting the Noise
WHy playing live is so important
What is 'Podsafe' Music?
THE ARTIST BIOGRAPHY
Building An Effective E-Mail List and Delivering the Right Message
People Skills plus Networking Lead to Great Relationships
AUDITION AND INTERVIEW COMPLETE BUT NO REPLY... WHAT DO I DO NOW?
are house concerts for you?
How To Get Your Music Going Without Major Label Support
Preparing A Professional Promotional Package... Part 3
Rub a dub dub three men in a pub
Preparing A Professional Promotional Package... Part 2
Get Better Results With A Distinctive Promo Package
Getting Better is All About Promotion! Promotion! Promotion!
Music Pre-Production Values
A NEW YEAR IS THE BEST TIME TO MAKE POSITIVE CAREER CHANGES
Cool Gizmo Alert: Seymour Duncan SFX-01 Pickup Booster
Entrepreneurship Is The Key To New Artist Success Today
'Tis The Season To Turn On Promotional Efforts
SELF PROMOTION VS REPRESENTATION: WHEN SHOULD AN ARTIST SEEK HELP?
Things You Can Do That'll Boost Your Career
The Most Successful Performer Is Always "Takin' Care of Business"
PREPARING A PROFESSIONAL ENGAGEMENT CONTRACT...
IT'S TIME FOR YOUR ANNUAL NEW YEARS REALITY CHECK
Make A Fresh Start... Dream Big and Do Your Homework!
A Good Attitude is the Key to Successful Conflict-Management
Image: It Still Matters More Than The Music
ALWAYS BE THE BEST THAT YOU CAN BE!
How Performers Can Flub The Interview... But Don't Laugh
Review: Genz-Benz G-Flex 2x12 (guitar cabinet)
Lou's 'Fat Tracks' Recording Tip
Cool Gizmo Alert: Koch Loadbox II
Some suggestions for chord playing
I Am a Good Entertainer How Can I Get Better Gigs?
Agent Friendly Websites Not Too Friendly For Agents
An Introspective Look At the Exclusive Agent Question
Promotion and Marketing Tips For Professional Performers
Exploring the Career Direction in a Changing Music Industry
Negotiation... The Discussion Before the Contract Stage
Image is Everything
Create Local Buzz For Your Band
Communicating with your Fan Base
interview with sherwood
Taking Back Sunday Interview
The importance of blogging and keeping your content fresh
Monday, March 5th, 2007
Preparing A Professional Promotional Package... Part 2
Part 2: The Contents

Always Remember... you never get a second chance to make a first impression. You owe it to yourself to assemble a promotional package that tells them you're a professional!

A promotional package, or press kit, is generally designed to provide the recipient with enough material to make an assessment of your abilities. Different versions of your promo package will include materials suited for different recipients such as agents, producers, promoters, venue operators, newspaper columnists, radio programmers, or record company representatives, etc. A typical promo/press kit contains the following components:

* An Artist Biography
* Fact Sheet
* Promotional Photo
* Reprints of Press "Clippings"

In addition, it's not unusual to include a song list, lyric sheet, gig sheet, and reports of any successful performances or special events. These items should always be accompanied by a CD "demo" and/or a performance video packaged in protective wrap, along with a personalized cover letter. Tribute and celebrity lookalike artists should always include a video sample. After all, if you are emulating a famous artist, you must show that you can deliver the essence of the character on stage.

The goal of a promo/press kit is twofold: The factual information within must be sufficient for journalists to base an article or review upon, while the editorial content of the artist's biography leaves enough room for a certain element of hype. Above all, the end result of any promotional package is to generate interest for the artist. This package serves as your personal salesman pitching "the performer of the day"... you!

For a more established act, a promo package is a compilation of existing reviews, write-ups, interviews, and such... basically, a representation of the overall history of the performer. In this case, its purpose is more likely to promote a new show, a new tour, or perhaps to put a new spin on the artist's public image... maybe even an attempt to completely overhaul an image. For the yet-to-be discovered act, the promo package is much different... rather than compiling reviews and interview clippings, the mission is to generate some of those write-ups. It is more of a promotional tool that is used to get bookings, radio air-play, reviews, and to "shop" for the big prize every hungry artist is looking for... that elusive recording contract.

Let's assume you are still trying to get established, and the reviews from the "Eagles Club Valentines Party" don't exactly look awe-inspiring on the printed page. How can you possibly hype yourself in the same manner as bigger acts with a bag full of glowing reviews and media support?

Forget the concept of hype for a moment. Like every other aspect of your career, there is plenty of room in your promotional presentation for sheer, unadulterated hype... and, believe me, we'll cover that in the future. However, in the first stages of your professional life, the simple task of getting out the raw information is absolutely crucial. This may be an entirely new way of thinking, compared to the "must be on stage all the time... must be a master showman" mentality. But, you'll be better served to think of yourself more as a newscaster than a talk-show host when trying to launch a career or initiate a new project that steps out of your usual environment.

Yes, the general public responds to hype... cheap gimmicks, fads, huckster-style imagery, and relentless horn blowing. For a lot of performers, these are the key components of a successful rise to the top (musical talent be damned). I'm all for it... bring on the sideshow... rock me baby! Unfortunately, the general public isn't your target just yet. It is more often the jaded, "seen-it-all" music business professionals you need to attract at this stage. That's not to say that everyone who receives your promo package is entirely immune to hype tactics, but you won't be able to fool the professionals into believing you're "the next big thing" based on your biographical skills alone.

Nearly everyone at every level of the music business is constantly bombarded with press releases, gimmicks, or the latest "hot new act" bulletins crafted by some of the best advertising specialists in the country. That sort of hype is unstoppable, unbeatable, and totally numbing. How many glowing magazine reviews, radio and television profiles, or internet messages, etc. have you seen and heard lately? Now, put yourself in the position of someone who is immersed in this hype machine for a living... like an agent, promoter, journalist, disc jockey, or even the local club operator. It'll be very difficult to get noticed amidst all the noise from the big money promotional machines out there! The good news is... they're all hoping to find a new, super talent just waiting to be discovered. It'll be your job to create a package that catches their eye without going over the top. You need to get them to choose your package from the pile... if nobody looks inside, you don't stand a chance.
At the end of it all... you'll need to blow somebody away with your ability in order to get any substantial results. Always be the best that you can be and understand where you belong in the overall scheme of things. Don't expect a large casino entertainment director to jump at the chance to book an act more suited for the Eagles Club circuit.
The ideal promotional package contains just a few professionally printed pages (as suggested at the beginning of this article) with an actual 8x10 glossy photo (or two) tucked into a glossy custom folder with your simple embossed logo on the front. Absolutely avoid the use of any re-cycled promo folders or laser printed photo duplicates from the Quick Print shop on the corner. This is, indeed, the music business, and that's exactly how you need to approach the preparation of your press kit or promotional package. You're not selling CD's or tee-shirts to music industry contacts... you're hoping to enter into a professional arrangement with them. You should try to look as professional as possible. Your promotional package must tell them you're a "class act" that cares about your image. Pay attention to professionalism... you'll be rewarded down the road.


Posted By Les Vogt @ 12:00 AM
Author's site: http://www.members.shaw.ca/lesvogt
Les Vogt is an independent producer, promoter and entertainment consultant. Contact: lesvogt@shaw.ca
[Comment on this blog post]

bradley_gailey's comment posted March 6th @ 1:07 PM:
This article hits the nail on the head. Very often we receive information from artist on our site that look like a grade school kid did the promo package. The more professional the promo looks the more likely your music is going to be listened too and taken seriously. Keep up the great work! Sincerely, Bradley Gailey www.GreatIndieMusic.com
Commentors site: http://www.greatindie.com/ipnmusic/cart/index.php