#ABCDEFGHIJKLMNOPQRSTUVWXYZ




HomeArtistsCommunitymp3sVideosShowsStationsLabelsSign Up
Download Mp3 Stream Mp3 Chance and Ch... by White Hot Sna...
409 Visitors | 20 Listeners
iSOUND Artist Blog     [] [Forward to Friend] [Link to Page]

ABOUT
Get tips from music industry insiders that will help your music get heard.

CONTRIBUTE
Are you knowledgable about the music industry?
Help others out and promote yourself at the same time by contributing here.


ARTICLES
Blog Home
Understanding Tipping Points
4 Services That Can Help Your Band
New Technology Makes the World an Oyster for Independent Artists
QUOTES FROM THE BEST SONGWRITERS
The Five Rules in Creating Successful Press Releases for Your Band
Bar Video Monitors
Top 10 Music PR Tips
Nine Steps to Online Forum Creation for Band Websites
The Long Tail to Sales
Eleven Social Networking Steps to Promote Your Music Online
The Artist Press Kit
Fan Email Marketing Made Easy
Four Online Promotional Steps Every Band Needs To Implement
20 Steps to Creating a Successful Blog for Your Band (Part 2 of 2)
20 Steps to Creating a Successful Blog for Your Band
Eleven Ways Bands Can Utilize their Website to Promote their Music
Tips On Getting More Fair Dates and Corporate Gigs
Recording & Producing Music at Home, Part 2: Fighting Even More Noise
Recording & Producing Music at Home, Part 1: Fighting the Noise
WHy playing live is so important
What is 'Podsafe' Music?
THE ARTIST BIOGRAPHY
Building An Effective E-Mail List and Delivering the Right Message
People Skills plus Networking Lead to Great Relationships
AUDITION AND INTERVIEW COMPLETE BUT NO REPLY... WHAT DO I DO NOW?
are house concerts for you?
How To Get Your Music Going Without Major Label Support
Preparing A Professional Promotional Package... Part 3
Rub a dub dub three men in a pub
Preparing A Professional Promotional Package... Part 2
Get Better Results With A Distinctive Promo Package
Getting Better is All About Promotion! Promotion! Promotion!
Music Pre-Production Values
A NEW YEAR IS THE BEST TIME TO MAKE POSITIVE CAREER CHANGES
Cool Gizmo Alert: Seymour Duncan SFX-01 Pickup Booster
Entrepreneurship Is The Key To New Artist Success Today
'Tis The Season To Turn On Promotional Efforts
SELF PROMOTION VS REPRESENTATION: WHEN SHOULD AN ARTIST SEEK HELP?
Things You Can Do That'll Boost Your Career
The Most Successful Performer Is Always "Takin' Care of Business"
PREPARING A PROFESSIONAL ENGAGEMENT CONTRACT...
IT'S TIME FOR YOUR ANNUAL NEW YEARS REALITY CHECK
Make A Fresh Start... Dream Big and Do Your Homework!
A Good Attitude is the Key to Successful Conflict-Management
Image: It Still Matters More Than The Music
ALWAYS BE THE BEST THAT YOU CAN BE!
How Performers Can Flub The Interview... But Don't Laugh
Review: Genz-Benz G-Flex 2x12 (guitar cabinet)
Lou's 'Fat Tracks' Recording Tip
Cool Gizmo Alert: Koch Loadbox II
Some suggestions for chord playing
I Am a Good Entertainer How Can I Get Better Gigs?
Agent Friendly Websites Not Too Friendly For Agents
An Introspective Look At the Exclusive Agent Question
Promotion and Marketing Tips For Professional Performers
Exploring the Career Direction in a Changing Music Industry
Negotiation... The Discussion Before the Contract Stage
Image is Everything
Create Local Buzz For Your Band
Communicating with your Fan Base
interview with sherwood
Taking Back Sunday Interview
The importance of blogging and keeping your content fresh
Thursday, October 26th, 2006
Review: Genz-Benz G-Flex 2x12 (guitar cabinet)

For many years I have been wrestling with the problem of being able to hear myself the way that I wanted to and still get a good (full) guitar tone. I have always preferred the sound of my cabinets on the floor, without the speaker pointing directly at me. The problem with this set up is that I don't hear myself very well unless I really crank the amp. Cranking up is cool if you are in a big enough room to get away with it, but for most clubs you end up pissing off the sound man, and/or the rest of the band. The answer has always been to angle the cabinet toward your head, by either tilting it or putting it on some kind of stand. The problem with this is that high frequencies always project farther and faster than the middle and lower frequencies. You perceive this as a lot of piercing treble, no bass and few mids. When the speaker is on the floor or angled away from your ear the highs are deflected and you will hear more lows and mids. I have tried many things to correct this problem. For years I put cardboard over the speaker usually attaching it to the grille cloth. It did get me a lot closer to what I wanted hear until the cardboard started rattling against speaker or grille.

About a year ago I started hearing about the Genz-Benz G-Flex 2x12, and my hopes were raised. I'd been looking for a smaller cab (was using a couple of different 4x12s) that would sound good off of the floor and this sounded like just what I needed. I read several reviews and played as many 2x12's as I could in music stores, but nothing really impressed me. Unfortunately I was not able to try out the Benz. Finally I decided to take a chance and order one from Musician's Friend. I had read a lot about this cabinet, some good and some not so good. However, I found the negative reviews to be just as informative as the positive. From the descriptions by other players I had an strong feeling that I would like this box. Although I did have some reservations about buying it unheard from the net, I rationalized that I could return it if I really hated it.

The G-Flex is an interesting design., a little different from the garden variety guitar speaker cab. There are two primary features that set this cabinet apart. First of all the baffle board (the piece of wood that the speakers are physically bolted into) is “flexed”. The causes each speaker to face slightly away from the other. This feature helps to reduce standing waves within the cabinet and provides better sound dispersion, reducing some of the “beaming” of high frequencies that is common with the usual closed back design. The other feature that sets the G-Flex apart is the ported design. There are 4 round ports evenly spaced just below the baffle board. The ports allow more lows and mids to escape the cabinet. The effect is similar to having a semi-open back design, but with the opening being on the front. The G-Flex also features some other conveniences that are more common to other guitar cabs including separate input jacks for mono/stereo operation and 4, 8 & 16 ohm connections (8ohm connections are for stereo operation only)

I've been playing the G-Flex using my 3 primary amps, Budda Superdirve 30, Dr Z Maz 18, Marshall 1987x, and the cabinet has enhanced the sound of all three. The First thing that I noticed was that the mids are accentuated yielding a vocal quality to the sound. This is very useful for leads and definitely contributes to the overall tightness of the sound. It can also be easily dialed out with the amps tone controls if desired. This cabinet also produces more low end than any cabinet that I have ever played. Even with it about 3 feet off of the floor(used an old keyboard stand for this) I could still feel the thump of the low strings in my chest. I have been gigging with this cabinet for a few weeks now, and I am hearing myself better than ever. Even my band mates have commented on my improved tone.

The G-Flex weighs in at little over 60 pounds, and even with the recessed corner handles is a bit awkward to carry solo. It seems sturdy enough but only time will tell. The speakers are 75 watt British made (Made my Celestion?…not sure) , but I am wondering what the G-Flex would sound like with a nice set of alnico speakers or hemp cones, but for the time being I think that I'll leave it as it is.

For more information visit http://www.genzbenz.com/?fa=detail&mid=1409&sid=419&cid=93

Lou Lombardi, Your Guitarist

http://www.myspace.com/guitartracks

Posted By your_guitarist @ 5:54 PM
Author's site: http://www.yourguitarist.com
[Comment on this blog post]

rng___rich_nakatsu_group's comment posted September 18th @ 9:44 AM:
I must say, I totally agree! I've had the Genz for a a good 6 months, and love the tone it produces. I have a 1960B 4x12 Mashall slant cab, and I've been told over and over again, "your amp is too trebly!!!" So, I took a chance and got the Genz and tried gigging with it for the first time in a small venue. I must say I absolutely love the tone! Coupled with the Peavey JSX head, the listener will get a sonic jolt that will bring them to their knees. Makes the rhthym lines really punchy, and enough treble and mids to make the solos stand out. Definitely better than lugging around the 4x12s in the car (reduces a LOT of space in the car and stage) and decrete enough to make people wonder where the sound is coming from. This cab is definitely loud enough to compete with other 4x12s out there. I am competing with my other guitarist that uses either a Bogner cab or his 2x12 Mesa Boogie. I must say, I can out play him with ease. I've tried putting casters on it to minimize the back strain of carrying them, but Genz is light, almost equal to my JSX head. I definitely prefer the Genz over the Marshall in recording and mic-ing. It's got a very aggressive tone. Definitely worth the money, and a trip to your chiropractor.
Commentors site: http://www.fatalis.us