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Intensity. Integrity. Independence. These three words encapsulate the style and stance of Crossfade--one of the most powerful and inventive new hard rock bands to emerge thus far in the new century.
Intensity defines the driving, bottom-heavy sound and stirring mel |
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 | Cold
Released: 2005 |
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Click on one of the albums below for more info.
| | Cold
Released: 2005 |  | Crossfade
Released: 2004 |
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Intensity. Integrity. Independence. These three words encapsulate the style and stance of Crossfade--one of the most powerful and inventive new hard rock bands to emerge thus far in the new century.
Intensity defines the driving, bottom-heavy sound and stirring melodies of this Columbia, South Carolina, four-piece. On the group's debut album, Crossfade originals like "Starless," "Cold," and "So Far Away" combine indelible melodic hooks with the relentless power of the band's live sound; their carefully crafted arrangements lend depth and variety to such standout tracks as the confessional ballad "Dead Skin."
Integrity has guided Crossfade's progress at every step of the way. To follow their dreams, the musicians turned their backs on the cover-band syndrome, on parental expectations, and on the chance for well-paying careers outside music.
Independence is the spirit that led Crossfade to build and equip their own studio; to manage themselves for a time; and to produce and record their debut album themselves, with post-production by engineer/mixer Randy Staub. (His credits include sessions with Metallica, P.O.D., Nickelback and 3 Doors Down among others.)
Crossfade began with nothing--literally. In the late Nineties, Ed Sloan (lead vocals, guitar), Mitch James (bass, vocals) and Brian Geiger (drums) formed a band called The Nothing--a kind of "heavy-metal Wrathchild America and Metallica takeoff," in Geiger's words. The Nothing worked hard to create original material and a sound of their own; at one point, the group relocated to Atlanta, Georgia before returning to their Columbia, South Carolina, home turf. Ed began constructing a home studio, while Brian took on management duties.
The addition of Tony Byroads, a vocalist and DJ who had moved to Columbia after graduating high school in Buffalo, New York helped to expand the sound of the band. "Tony was a veteran of the club circuit who could sing any style," says Mitch James. "As a writer, he shared our drive to create songs that were catchy, energetic, and still musical enough to keep from boring us!"
With Tony on board and in recognition of their evolving style, The Nothing changed the group's name to Sugardaddy Superstar and set to work on new music in the Sugarstar Studio, which Ed Sloan describes as "a brick garage at my house that was made into livable space with some added soundproofing and basic gear."
Without any formal training in engineering, "we found ourselves experimenting with a lot of different techniques--not really knowing what was right or wrong but just going for the best sound we could get. It took about nine or ten months to complete the recording of the album. The ability to record at home and on our own time was a great asset. It gave us complete control over our environment and allowed us to experiment in ways that, in a normal studio, would not have been possible due to budget and time constraints."
Local radio stations began airing some of these self-produced tracks, and Sugardaddy Superstar signed up with Taxi, the LA-based independent A&R company. The group also came to the attention of Chris "Hot Rod" Long, an experienced Los Angeles promoter who had worked with acts like Stone Temple Pilots, Rage Against the Machine, and Kyuss--now known as Queens of the Stone Age. Chris flew east to catch the band's live show; two weeks later, he signed on as their manager.
In November 2001, Sugardaddy Superstar was one of only three (out of 8,000 member groups and artists) to perform at Taxi's "Road Rally." The buzz continued to build when the group played a March 2002 showcase in Los Angeles. The band returned to the studio to re-engineer and remix an album they originally called Cold. This self-released set, issued regionally in September 2002, contained eight of the ten songs that now comprise Crossfade, the group's major label debut.
Earshot Records A&R man Doug Ford had been following the band's progress for the previous year. "As soon as Doug heard the album," Ed Sloan recalls, "we were flown to New York to showcase. We played four songs for the Columbia brass and were signed within days. They liked our own recordings enough to release them with only a little touching-up from [engineer/mixer] Randy Staub."
"The story of Crossfade is still unfolding," says Mitch James. "But since some defining moment in our lives, we've all known that this is what we were destined to do."
The Musicians of Crossfade
Ed Sloan (lead vocals, guitar) grew up in Columbia, South Carolina and remembers his mother "always playing piano and singing hymns throughout my childhood." He began piano lessons at age eight and within a few years was learning songs from the radio and from records. He joined his first band, Darkchilde, in the eighth grade. "Soundgarden, Faith No More, Alice in Chains, and the earlier Metallica were my main influences during and after high school," he says. "The Deftones, (hed) pe, and Staind are some others who really hit home for me now." After several years of growing local notoriety, Ed left Darkchilde in search of older, more experienced musicians. He found bassist Mitch James and drummer Brian Geiger--they played the local circuit as The Nothing while Ed studied for his BS degree in computer science at the University of South Carolina.
Brian Geiger (drums), another Columbia native, grew up "dancing to country, soul, and rock and roll in the living room every night with my mother and sister. I always wanted to play drums: My stepfather played in an 'oldies' cover band, and I'd go to practices to learn from his drummer." Brian's drumming influences include Tommy Lee, Dave Grohl, Tommy Aldridge, and local hero/mentor Darren Butler; Deftones and Sarah McLaughlin are among his favorite recording artists. Brian left Celestian Slant, Brian's first semi-pro band, to explore new avenues for himself." When Geiger joined Ed Sloan and Mitch James in The Nothing, he became the band's manager--using business experience he'd acquired while running his own car detailing shop. With Geiger's own studio at home for recording drums and writing songs, Brian continuously refines his musical edge.
Mitch James (bass and backing vocals) had an epiphany at a David Lee Roth concert when he was in his early teens: "Billy Sheehan ripped into his four-stringed instrument and made it grind, whine, and sputter like a Harley--after that, I was forever sold on the bass guitar." In his first band, Mitch learned "every Metallica and Megadeth song ever written" before hooking up with Ed Sloan to form the songwriting core of The Nothing and later Crossfade. "It took a long time for us to realize that writing hit songs could fulfill our creative destiny as well as make us all happy. That journey has made us into more complete players and songwriters."
Tony Byroads (vocals, turntables, sampler) grew up in Buffalo, NY where "music was a part of my life from a very young age. I had a great love for lyrics and could remember the words to songs very easily." Tony's influences are almost equally divided between rock (Elvis Presley, Robert Plant, Ozzy Osbourne, Iron Maiden's Bruce Dickinson, Phil Lynott of Thin Lizzy) and hip-hop (Snoop Dogg, Ice Cube, Eminem). His high school band, Final Wave, played in Buffalo area clubs and at school functions until he relocated to Columbia, South Carolina, after graduation. "I met some guys in a band called The Nothing who were in the process of changing their sound. It was perfect for me: I'd been doing DJ stuff for a while--like turntable scratching and sampling--but not in a band context. These guys allowed me to bring those elements into the sound that became Crossfade."
Source: http://www.crossfadeonline.com/ |
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Discussion Topic
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Creator
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COOL STUFF!!!!
Thses guys are really cool! i just got their
cd....and i like all of their songs. i know
most all of the lyrics to their songs too.
most everyone has heard of the song
cold.....if you haven't then go download
it or something!!!!!! It's a great song!
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benjisbiatch09 |
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Replys
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Listener
| OH I KNOW COLD IS SOOO GOOD I REALLY LIKE
THAT SONG!!!!!! | xxMusicGurlxx | | yea...i love most all of their songs. | benjisbiatch09 | I'm listening to cold right now! it calms
me down. | benjisbiatch09 | Related artists, Flaw?.. Is that it?.. Who
the hell are Flaw anyway?... | hellz_hunny | You've never heard of Flaw???? thats bad!
go listen to recognize or something! | benjisbiatch09 | this band sucks...just another lame
alternative band, so unoriginal, flaw sucks
too, i hate the singer, they're just like
everyone else too... | BLASTT | um okay... anyway i just like their one song
cold so yeah.... | xxMusicGurlxx | crossfade does not suck...you just need to
hear more of their songs...cold is just a
slow song on their cd. i have their cd...go
listen to death trend setta | benjisbiatch09 | they are a good band but i've heard way
better | punk_freak_liz | Yeah...I've heard better but they are
still cool. | benjisbiatch09 | | true | punk_freak_liz | | yeah...but who likes the truth? | benjisbiatch09 | BLASTT noone here sucks but you if your
coming to a crossfade forum then you should
you know like them or at least one of theyre
songs
like cold | All_the_rage | | yeah cold is a really good song. | benjisbiatch09 | | that one song cold is kickass. | Beto589 | I've got the cd and I love all the songs
on it. These guys are just awesome! | benjisbiatch09 | yer these fellas are kickasss!! cold is a mad
song. i recommend if u havent got ne of there
stuff..download the unknown, colors and
starless...wateva u get of theirs is pretty
sic...happy downloading!! xxx | Disturbed_Butterfly | don't download it just go get the
cd...band gets money that way and they can
make more music. | benjisbiatch09 | i no that..but if people download one of
their songs n hav a listen ..then go get
their cd, if they dont like it they spent 30
bux on sumtin they dont want...but hey
crossfade's sumtin for everyone !! :) | Disturbed_Butterfly | Ok, the band recorded 10 songs for their CD.
10! 10! That's horrible! Most bands have
like 14 or 13 but they out 10! Can you say
FILLER? Their lame, unoriginal, and generic.
It's all been done before. The lyrics have
been used and used and used and the style of
the music is exactly the same in other
alternative-rock bands out today.
How do I suck for not liking the band?
That's my opinion. But, what I posted at
the top, is the truth. | BLASTT | You have a very valid argument Blastt and you
dont suck for it. I am a fan of Crossfade and
I think most of their songs are good. The
only thing I dont like is they copied the
lame ass Rap Metal style from Limp Bizkit.
They should make more songs like cold and so
far away, but Limp Bizkit style sucks. | MusicMan13 | OH, and Isound is wrong about their genres.
They are not hair metal. | MusicMan13 | It was probably the idiot that submitted them
that chose the genres not isound. | BLASTT | | true | MusicMan13 | actually, the fact they recorded only 10
songs would imply that they are LESS likely
to have any filler songs. If they had done 13
or 14 tracks in the same amount of time, the
margin of error (read: suckness) would
probably go up. I'd take quality over
quantity any day. Colors is the shit! | NoiseOrdinance | | Ahh blah blah. | BLASTT | Yeah I got their album a few weeks ago and I
love it! It's a great album to listen with
a lot of cool songs. Crossfade did a good job
with this album and I hope they bring out
more great music. | broadway | | | |
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