Ella Fitzgerald : iSOUND.COM™

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Born: 1917 04 25

iSound Site: www.isound.com/ella_fitzgerald

Biography

Sounds Like

Artists:
Mel Tormé
Carmen McRae
Billie Holiday
Billy Eckstine
Betty Carter
Dakota Staton
Sarah Vaughan
Joe Williams
Betty Roche
Lena Horne
Art Lund
Peggy Lee
Sylvia Bennett (FL)
The Beloved Bees
Jenifer French
Genres:
Swing

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Featured Album

	Best of Ella Fitzgerald [Spectrum] Released: z

Biography

In 1934, an awkward sixteen-year-old girl made her singing debut at the the Harlem Apollo Theatre amateur night in New York City. She intended to dance, but she lost her nerve when she got on stage. The man said, do something while youre out there, the singer later recalled. So I tried to sing Object of My Affection and Judy, and I won first prize. She drew the attention of the bandleader Chick Webb. After personally coaching the shy performer, Webb introduced her at the Savoy Theatre one evening as his orchestras singer *. That evening marked the beginning of Ella Jane Fitzgeralds singing career. One of the great compliments paid to Ella was from Ira Gershwin who said \'I didnt realise our songs were so good until Ella sang them.

Ellas life was marked both by extreme highs and lows. Born in Newport News, Virginia in 1917 and orphaned at the age of 15, Ella was placed in the Colored Orphan Asylum in Riverdale, one of the few orphanages at the time that accepted Afro-American children. From there, she was transferred to the New York State Training School for Girls, a reformatory at which State investigations later revealed wide-spread physical abuse. Having escaped from the reformatory, Ella was literally living in the streets of Harlem when she was discovered by Webb. She was married twice, first at the age of 24 to a shady character by the name of Benjamin Kornegay, and then again to bass player Ray Brown at the age of 30. Both marriages ended in divorce. A diabetic for many years, the disease compromised her vision as well as her circulatory system before taking her life. In 1992, both of her legs were amputated below the knee due to diabetes related circulatory problems. As an artist, however, Ella achieved legendary success in a career that spanned six decades, yielded recordings numbering into the thousands, and earned the singer countless awards including a Kennedy Center Award for her contributions to the performing arts, honorary doctorate degrees from Dartmouth and Yale, and thirteen Grammy Awards.

Despite never having received formal vocal training, Ellas technique and range rivalled that of the conservatory trained singer. Throughout her three-octave vocal range, Ellas voice remained uniform in its clarity and child-like timbre. Her diction was unfailingly crisp, and her intonation was absolutely flawless. Coupled with this textbook-perfect technique, Ella had an improvisational talent on par with that of the best jazz instrumentalists. Her spontaneous, often pyrotechnic scat vocalisations, in fact, were a trademark of her style.

In looking back upon Ellas rich catalogue of recordings, the name of Norman Granz consistently emerges in conjunction with that of Ellas. Ella met the record producer and founder of both the Verve and Pablo jazz labels in 1949, after which the two developed a working relationship which lasted forty years. Under the direction of Norman Granz, Ella recorded her legendary songbook albums — a series of albums each devoted to the songs of a particular American composer. Between the years of 1956 and 1964, Ella recorded songbook albums featuring the music of Cole Porter, Rodgers and Hart, Duke Ellington, Irving Berlin, George and Ira Gershwin, Harold Arlen, Jerome Kern and Johnny Mercer. Collectively, these are one of Ellas crowning achievements. Granz also produced Ellas phenomenal collaborations with Count Basie and Duke Ellington, respectively entitled On the Sunny Side of the Street and Ella at Dukes Place. All of these recordings are on the Verve label, and are available on CD. After founding the Pablo label, Granz recorded the four Ella Fitzgerald/Joe Pass duet albums, each of which are deservedly considered jazz classics.

As amazing as Ellas musical talents were, equally amazing was the fact that she managed not to fall through the cracks of the segregated child welfare system of the 1930s. A victim of poverty and abuse, Ella was able to transcend circumstance and develop into one of the greatest singers that America produced. Ella died on June 15th 1996 of complications associated with diabetes. She was 79 years old. Despite suffering poor health Ella remained an active performer until 1992. She passed away two years later, but she remains a household name and scores of her recordings are easily available on CD.

Bio written by: ellano1fanfureva