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| Flotsam and Jetsam are definitely not your fathers metal. Though it is true that they have been credited with helping start the very scene that has spawned a worldwide not-so-Secret Metal Society that just wont go away. The kind of people that eat, breathe, and live that sti |
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Flotsam and Jetsam are definitely not your fathers metal. Though it is true that they have been credited with helping start the very scene that has spawned a worldwide not-so-Secret Metal Society that just wont go away. The kind of people that eat, breathe, and live that stirs those most primitive of urges.
And now, just when the planet needs it most, they have made their 8th record, "My God", that seals their rightful place among the top of the current "Old School" survivors. Pummeling, classic metal guitars and vocals combined with sincere modern flavor makes this a uniquely textured Flotsam record by any standard. The focus was to write with the overflowing inspiration the band felt having gotten through the tough part of a management change. You know the story. But this story has a very heavy ending, or rather a new beginning.
For those who need a refresher course, Flotsam and Jetsam exploded onto the brand new Thrash scene in 1986 with the legendary "Doomsday For the Deceiver", the record that propelled original bass player Jason Newstead to international superstardom as a member of Metallica. Not to be outdone, Flotsam then followed up with what some consider to be the most important thrash record of all time, "No Place For Disgrace". Then it was onward and upward to MCA records for 3 albums that allowed the band to grow musically while never losing the integrity their fans had come to expect.
After their contract was up at MCA, the first and most welcome home for the band, Metal Blade Records, invited Flotsam and Jetsam to rejoin their roster and help carry the banner of true metal tradition proudly through the dark days of the rise of "Nu Metal". The records "High", and "Unnatural Selection" settled the nerves of those fans that wondered what direction the band might in this new landscape. Now, "My God", produced by the illustrious Bill Metoyer, is already being hailed as the best, heaviest effort of the band in years.
Listen for yourself, make sure it is loud, and celebrate Metal The Uniter, Not The Divider!!!
In another strange twist, Flotsam and Jetsam then signed with Metallica's label Elektra, for whom they recorded their second album, 1988's No Place for Disgrace, with new bassist Troy Gregory. Despite losing their principal lyricist and an important songwriter in Newsted (who was kind enough to leave a few contributions behind), the album managed to improve slightly upon their first and featured an interesting cover of Elton John's "Saturday Night's Alright for Fighting." Though the band supported the record by touring relentlessly, all their efforts barely made a dent in the now crowded thrash scene.
Switching to MCA, the band issued three more albums (1990's When the Storm Comes Down, 1992's Cuatro, and 1995's Drift) which sold progressively less and added little to their original thrash metal recipe. Bassist Gregory departed to join Prong after the first of these and was replaced by Jason Ward. Finding themselves back on Metal Blade, the band finally broke the mold (too little, too late) and recorded their most original album in 1997's High, the last to feature Gilbert and David-Smith. 1999's Unnatural Selection featured their replacements, guitarist Mark Simpson and drummer Craig Nelson.
Source: http://www.flotsam-and-jetsam.com/ |
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Discussion Topic
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Creator
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High (1997)
1. Final Step
Abused, confused
Fought the blues, no shoes
Still I walk
No place, no face
Broken grin, hollow within
Still I walk
Abandoned my friend
Lost hold pot of gold
Left out cold
Compromise to mend
My demise, my end
Despised again
Standing on the edge of time
Looking down I realize
I am here one final footstep forward
Again seemed right
Follow the light it dimmed
No surprise
Somehow tricked perfect fit
Alibi, two-faced lie
No surprise
By the heels
Suddenly I'm pinned
Forced to kneel choked to heal
Failure failed
This rhyme picked my mind
Out of time
Standing on the edge of time
Looking down I realize
I am here one final footstep forward
End of my speech now is clear
What it is I'm doing here
I am here one final footstep forward
Abused, confused
Fought the blues, no shoes
Still I walk
No place, no face
Broken grin, hollow within
Still I walk
Abandoned my friend
Lost hold pot of gold
Left out cold
Detached, fucking wacked
Needle in, story ends
All depends
Standing on the edge of time
Looking down I realize
I am here one final footstep forward
End of my speech now is clear
What it is I'm doing here
Now I'm here one final footstep forward
Standing on the edge of time
Looking down I realize
I am here one final footstep forward
Standing on the edge of time
Standing on the edge of time
Standing on the edge of time
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riff_master |
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Replys
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Listener
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2. Hallucinational
Frustration, application
Cremation, confirmation
Creation, confrontation
Dedication, disintegration
You have seen the horns and tail
Can you be hallucinational
You have seen the horns and tail
Can you be hallucinational
Equation, stagnation
Radiation, duration
Imagination, starvation
Declaration, detenation
You have seen the horns and tail
Can you be hallucinational
You have seen the horns and tail
Is it your hallucinational
You have seen the horns and tail
Can you be hallucinational
You say you've seen the horns and tail
Can you be hallucinational
Intention, separation
Speculation, T.V. station
Hypertension, elevation
Indication, hallucination
You have seen the horns and tail
Can you be hallucinational
You say you've seen the horns and tail
I think you're hallucinational | riff_master |
3. It's On Me
A shotgun up against my eye
They're kicking my door in
Why this time
I thought they had theirs and I had mine
Lights going on and off
Sirens blazing
I wonder who they're chasing
It's on me
I can't see
What you see
It's on me
All those shots died from a broken heart
Got to end before getting to start
Unknowing sleeping birds cats love to tear apart
Lights going on and off
Sirens blazing
They're driving me fucking crazy
A shotgun up against my eye
I think it's my turn now to die
Lights going on and off
Sirens blazing
I'm wondering who they're chasing
It's on me
I can't see
What you see
It's on me
It's on me
I can't see
What you see
It's on me | riff_master |
4. High Noon
I've already been to heaven
So I might as well step down
Up seems like a real good offer
But I'm gonna have to turn it down
Losing heart
Wondering if it's worth saving
Well at least what remains
After it hits the pavement
I just had to make sure
You knew I was sincere
Trains change
They jump the tracks
They almost always
Switch back
Once again it's just me
The smoking empty shotgun shell
So close to a dream you can't touch
My very own version of hell
Playing tables and gambling
Bad hands of cards
Running out of crosswalks
Betting on the oddest odds
I just had to make sure
You knew I was sincere
Trains change
They jump the tracks
They almost always
Switch back
I've changed
I've jumped the tracks
I almost always switch back
I just had to make sure
You knew I was sincere
I've already been to heaven
So they asked me to step down
Up was a real good offer
But I screwed up big and turned it down
Lost heart
Knowing it's not worth saving
No usable remains
After it hits the pavement
I just had to make sure
You knew I was sincere
Trains change
They jump the tracks
They almost always
Switch back
I've changed
I've jumped the tracks
I almost always switch back
Trains change
They jump the tracks
They almost always
Switch back
You've changed
You've jumped the tracks
You've almost always switched back
And now I know for sure
You knew I was sincere
I just had to make sure
You knew I was sincere
I just had to make sure
You knew I was sincere | riff_master |
5. Your Hands
Broken hearts, broken jaws
Lowly weekends break tonight
Beaten fools, beaten dogs
Stolen deals, inside jobs
Coldly run fingers through again
Swollen faces, beaten dogs
All turn away and say amen
When it's in your hands and you can't feel
When it's in your heart but you can't feel you fell
Know a little about nothing
I know two things that's for sure
I know a bit of everything
Watch em cheating, watch em leave
Going down, going, gone
Watch them buried within reach
Are you knowing what they're on
When it's in your hands and you can't feel
When it's in your heart but you can't feel you fell
When it's in your hands and you can't feel
When it's in your heart and you can't feel you fell
Cheaply spending, cheaply bought
Etherize those bloodshot eyes
Never ending, never caught
Turning heads, turning beds
Sleeping with the blown away
Trading heads, trading beds
Your heart in a bag and thrown away
When it's in your hands and you can't feel
When it's in your heart but you can't feel you fell
When it's in your hands but you can't feel
When it's in your heart but you can't feel you fell | riff_master |
6. Monster
Running them off the highway
Running them off the rail
Running their babies into cold black water
Just me and my stash and my scale
Filling the tank over flowing
Filling a dirty syringe
Filling another cemetary
Hope drinking blood don't make you cringe no
Seeing is still not beleiving
Seeing that you're still here
Seeing you fall from the eighth floor window
Your reputation to smear
Shooting in every direction
Shooting stars inside our heads
Shooting before you see the whites of their eyes
I bet you never thought you'd see me dead no
I'm turning into a monster
I'll turn the heat up high
I'll turn away from this mess I'm burning
The smell of skin on fire
I'm turning into a monster
I'll turn the heat up high
I'll turn away from this mess I'm burning
The smell of skin on fire
I'm turning into a monster yeah
Shooting in every direction
Shooting stars inside our heads
Shooting before you see the whites of their eyes
I bet you never thought you'd see me dead no
I'm turning into a monster
I'll turn the heat up high
I'll turn away from this mess I'm burning
The smell of skin on fire
I'm turning into a monster
I'll turn the heat up high
I'll turn away from this mess I'm burning
The smell of skin on fire
I'm turning into a monster yeah
A monster | riff_master |
7. Lucky Day
If the fire can't be put out
Let it burn, let it burn
If you haven't learned your lesson yet
You'll never learn, never learn
When it's hard to hold them down
Let em fly, let em fly
If they don't want to live
Let em die, let em die
It's not so complicated so
Just let them have their way
You see I, I always get my way
Another lucky day
If it's easier to let it go
Let it go
When the water keeps on rising
Let it flow, let it flow
Under too much presure
Then explode, just explode
If they don't want to know
They won't know, they won't know
It's not so complicated so
Just let them have their way
You see I, I always get my way
Another lucky day, lucky day
If it's cheaper to kill
Then let em die, let em die
If their tears can't be stopped
Let em cry, let em cry, cry
It's not so complicated so
Just let them have their way
You see I, I always get my way
Another lucky day, lucky day | riff_master |
8. Toast
Pusher, pushing a dream
Go ahead and pick a scarecrow clean
One long season mean
Or just letting off steam
Only scratched it twice
Made it bleed real nice
Bloody, body filled with bullet holes
Your eyes are black like coals
Wrapped around a pole
You have what I stole
Old fashioned cocaine
Standing on my brain
Gone tomorrow, here today
I never saw what hit me
It will all rumble away
I never heard a thing
Gone tomorrow, here today
Cutting into line again
Cutting it close in between
Laughing cause you're funny choking
Laughing cause you're turning blue
Laugh all the way to the bank
One less asshole acts like you
Gone tomorrow, here today
I never saw what hit me
It will all crumble away
I never heard a thing
Gone tomorrow, here today
One less asshole man, hahaha | riff_master |
9. High
I know it seems
Like I like falling
Too glazed to try crawling
Very good at alcoholing
Very good at alcoholing
If I can't get high
Then I can't get by
So I won't be buying it
No, no, no
I guess I don't really care
As long as the juice shows up there
Take a peek in the mirror
To see who's there
I guess I don't really care
If I can't get high
Then I can't get by
So I won't be buying it
No I won't be buying it
If I can't get high
Then I can't get by
So I won't be buying it
No, no, no
They told me it'll thrill ya
Just like the bottle it'll spill ya
The fucking combination'll kill ya
They told me it'll thrill ya
If I can't get high
Then I can't get by
So I won't be buying it
No I won't be buying it
If I can't get high
Then I can't get by
So I won't be buying it
No I won't be buying it
If I can't get high
Then I can't get by
So I won't be buying it
No | riff_master |
10. Everything
I felt the moon today
Everything is drawn away
Water splashes on my skin it makes me dry
It makes no sense at all
Why didn't I get a call
When the whole world knew but me
There was nothing left to see
Everything reminds me
Of something from my past
Everything I know is in the past
And everything I see is now
Friends are friends until the end
How soon will it end today
Friends are friends close by
How soon they're gone away
An old man tries to run me off
As he stops to wheeze and cough
I seize the fruit
And steal his day away
Everything reminds me
Of something from my past
Everything I know is in the past
And everything I see is now
Everything I know is in the past
And everything I see is now
Everything I know is in the past
And everything I see is now
Everything I know is in the past
And everything I see is now
I saw the moon today
Everything just melts away
The sun beats upon my skin it makes me sweat
It makes no sense at all
Why didn't I hear the call
When the whole world saw but me
There was no where left to be
Everything reminds me
Of something from my past
Everything I know is in the past
And everything I see is now
Everything I know is in the past
And everything I see is now
Everything I know is in the past
And everything I see is now
Everything I know is in the past
And everything I see is now
Everything I know is in the past
And everything I see is now
Everything I see is, everything I see is, everything I see is now | riff_master |
11. Forkboy
[Originally recorded by Lard]
A fork is a cold shiny tool
To pierce, tear and ingest
Whoever has the fork in hand
Controls the meal of its choice
We're told the first few punctures
They're for our own good
Better carved up in pieces
Than blown up in the oven
Agh! Agh! Agh!
Forkboy
Flies by night on stolen fuel
To Santa Rosa, CA
Opens a fake employment office
"Want a job? Go get me drugs"
People desperate for work
Return to quite a surprise
Busted for intent to sell
Cops pay him a bounty
Forkboy skips town
Agh! Agh! Agh! Agh!
We came
We peed
We conquered
You bleed
The choice:
Fork Boy
Or Finger Food
Ugly joy
What does it replace?
Why wait
When you can eat yourself alive today
Junk bondage takeover glutton
Ready to bore in
Unfold his rotary blades inside
Pull the guts out and resell them
Buys out his next target
With the last one's pension funds
Thousands more thrown out of work
So Leona won't have to settle for a mint
Forkboy
Picked by the FBI
To be the black pied piper
After Dr. King died
Watches soap operas on TV
While 6 billion's disappears from HUD
Who are you working for
What did you hope to gain
Why do you hate your past
So much you destroy the ones you love
Forkboy! | riff_master | | |  |
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