| Drugs and percussion, and piano on "Hand-Me-Down-Town #12 & 35", recorded by Alan Irving at Sundae Sound, May & August 2004
Additional drum overdubs and loops recorded at Strongboy Studio, January, March & July 2004
All other tracks recorded at home, May - July 2004
Mixed by Alan Irving at Sundae Sound, August 2004
Produced by Lorrie Matheson
Mastered by Dave Horrocks at Infinite Wave, August 2004
Design by xerxes @irani.ca
Photographs by Kyle Riva
Chris Dadge played drums and percussion on everything except "Ribbon of Red Taillights", on which he was sampled, chopped, and looped, and "Bruises and Change", on which the drums are totally fake.
Tim Leacock played the guitar solo on "I Think I See The Light", because I couldn't, and he had nothing better to do that night.
Peter Clarke, unselfish as always, lent me some cool guitars.
Rob Bartlett gave me a ton of advice, and only laughed at me once (or twice).
Lee Shedden worked really hard at putting a sequence together, and I didn't use it. Sorry, Lee.
Jen Abel is always volunteering her valuable time, effort and ideas and in my case, the title for this record.
Owen Merrifield is the Slayer!! (Sorry about your remote, pal, but it wasn't really my fault - it was Kerry Fraser's).
Dawn Loucks is crazy... and tireless. Thank God!
Look up "class act" in the dictionary and you'll find a portrait of Tom Horvath.
Alan Irving is a prince among men, and Bob Dawkins is a saint.
Not only are Xerxes Irani and Kyle Riva brimming with talent, they are the kind of guys you can call up at 3 am and say "I need $500 and a ride to the border."
I can't forget Andy Eichhorn, Andy McAdam, Gord Adam, Ross Watson, and of course, James Hayden. Lucky for me, I have way too many other friends to list here.
If you listen closely, you can hear the love, beauty, patience, kindness and grace that Jennifer Feurer gives to this record and my life.
Thank you all.
Special thanks to Marina Zarillo and Bernie Ens |
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