| His sound can be both lush and austere. But there's always a sense of pulse, evolution and destination in his music.
--San Francisco Examiner
The music on this recording was composed over a span of over ten years. During this time many friends' ideas, generosity, support and tolerance have had a profound affect upon my work and life. I particularly want to acknowledge and thank composer and teachers Lou Harrison and Robert Erickson, sitarist/teacher Nikhil Banerjee, and freinds and colleagues Rinde Eckert, Jay Cloidt, John Duykers, Kay Norton, and my wife and producer Robin Kirck.
"Dark Blue Circumstance" (1982-87), for electric guitar and live tape processing, is performed on an elaborate tape loop system which is an instrument which allows live multi-track recording, mixing, processing and immediate playback of any sounds produced by the performer(s). It was designed and built by Paul Tydelski and me in 1979 and consists of a 4 channel tape machine with 3 playback heads located at various points in the path of a single loop, the duration of which is variable by controlling the tape speed. Record/play functions and the mixing and routing of all sounds are controlled by the performer with an array of foot pedals and switches, thus leaving the performer's hands free to play their instrument without interruption. This instrument was my principal performing tool for most of the 1980s and was integral to many compositions, both for me as a soloist as well as for ensemble music and theater performances and purely tape compositions.
The work arose while also composing the score for the music theater collaboration, 'are are', by the George Coates Performance Works of which I was a member at the time.
--Paul Dresher |
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