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| Blackie Lawless, was born Steven Duren on 4th September 1956. He lived in Staten Island, New York, where he hung out with Ace Freley of Kiss Fame. At the age of 13, Blackie was stabbed in a fight and at 14 he was sent to Military School to learn discipline. After 18 months o |
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Blackie Lawless, was born Steven Duren on 4th September 1956. He lived in Staten Island, New York, where he hung out with Ace Freley of Kiss Fame. At the age of 13, Blackie was stabbed in a fight and at 14 he was sent to Military School to learn discipline. After 18 months of a two year sentence he was thrown out after beating up a Sargent Major.
Blackie was nine when he got his first guitar and in that same year he earned 16 dollars and 35 cents in his first band called THE UNDERSIDE. At the age of 16 Blackie played with an East Coast band called BLACK RABBIT, tauting his talents around local bars. Another early band was called ORFAX RAINBOW in which he played for quite a while. When a singing vacancy came up with the legendary NEW YORK DOLLS, after Johnny Thunders leaves, Blackie takes it up - he had just turned 18.
After six months playing with the then dying NEW YORK DOLLS, Blackie and fellow DOLLS bassist Arthur Kane decide to leave New York and head to L.A. They form a band called KILLER KANE and release a 33 ½ EP. This includes the tracks MR COOL on Side 1, LONGHAIRED WOMAN and DONT NEED YOU on Side 2. Blackie is known at this time as "Blackie Gooseman". Eventually KILLER KANE breaks up, Arthur decides to go back to New York and Blackie stays in L.A.
In 1977, Blackie and Randy Piper join together to form a band called SISTER. SISTER where amongst the first groups in L.A. to experiment with occult symbolism and face make up. It is also believed that Nikki Sixx (Motley Crue) also played in the band for a while. Out of the SISTER experience Blackie meets up with Chris Holmes. While browsing through the "Beaver Hunt" section of Hustler magazine, Blackie spots ex - U.S. Marine Chris and decides to contact him.
Unfortunately, the late 1970's were a bad time for Heavy Metal and SISTER failed to generate record company interest despite their loyal club following. Other bands that Blackie had played in around this time were CIRCUS CIRCUS and LONDON.
Blackie and Randy stayed in contact and in 1982, when Blackie felt that he had good enough material to form a new band he contacted Randy. Chris and Tony Richards were also added to the line up. The band also dabbled with bassist Don Costa for a while before he joined Ozzy.
W.A.S.P were now formed and in late 1982, they started live gigging. Their first gig was at a place called "The Woodstock" in Orange Country, and by May 1983, they were able to sell out the then 3000 seated "Santa Monica Civic Hall". Momentum continued with a number of sold out gigs at the "Troubador".
Late in 1983, Iron Maiden manager Rod Smallwood went to see the band. He was extremely impressed with the music and outrageous live performances he decided to get involved. A substantial recording contract was agreed with Capitol Records in early 1984 and the band started to record their debut album "W.A.S.P".
The bands first single "ANIMAL" was not included on the album as it would have meant it being banned from major chain stores. Capitol planned to release it as a single only in Europe, in a black plastic bag with a sticker warning of offensive lyrics. At last minute Capitol backs out and the single is salvaged when W.A.S.P strikes a one off deal with "Music For Nations", who release it in its original sleeve in April of 1984.
In August the album "W.A.S.P" (the original title was planned to be "Winged Assassins") is issued followed by the single "I Wanna Be Somebody" in September. Just before the start of their British Tour, Tony Richards decides to leaves the band. He is replaced by ex-Keel drummer Steve Riley. After the tour a further single "School Daze" is issued.
In May 1985, work begins on the bands second album "THE LAST COMMAND", working with Spensor Proffer at Pasha Studio's in L.A. The band also goes on tour without their signature of blood and guts stage show and open for such major acts as Kiss. The album is released in September, with the first track off the album called "BLIND IN TEXAS" being released in October.
Wild Child is issued in June of 1986. Around this time the band comes up with two major inconveniences. Firstly Randy Piper leaves the band and is replaced by bassist Johnny Rod (King Kobra). This enables Blackie to switch back to playing rythum guitar. Also the band starts to run up against on organisation called the P.M.R.C. This was run by U.S. senators wives and wannabes trying to protect decent society from Rock Music. They referred to Blackie as being sick.
The summer of 1986 was spent recording in L.A, with plans to return to Europe to do an Autumn tour. Their first single from the new sessions "9.5. N.A.S.T.Y." was released in September and the tour began in October. To co-inside with the tour, the bands third album called "INSIDE THE ELECTRIC CIRCUS" was released.
Before the start of their British Tour, W.A.S.P fly into London a few days early to appear live at the "Town and Country Club" for a BBC2 special called "Rock Around The Clock". Their usual grand finale with Blackie's cod piece exploding in a shower of sparks was deemed to be unsuitable and was not filmed. Also around this time there were bomb threats at arenas were W.A.S.P were playing and Blackie had his life threatened by gunshots.
In 1987 W.A.S.P were listed fifth on the bill of the Castle Donington, "Monsters Of Rock" festival in the U.K, which was headlined by Bon Jovi. Their act included the return of the "Torture Routine" in all its glory. The week before the festival, "SCREAM UNTIL YOU LIKE IT", the theme tune to the horror movie"Ghoules 2" was released. This was then followed by the release of the bands forth album called "LIVE..... IN THE RAW". February 1988 leads to Music for Nations following up the original "ANIMAL" release with a live version.
By the end of the year the band were putting finishing touches to their forth studio album called "THE HEADLESS CHILDREN" in Baby O Studios in L.A. Before recording had began, Steve Riley leaves the band and Frankie Banali drummer from Quiet Riot was borrowed for the album sessions. The finished record had a better sound than its predecessors, with the addition of Ken Hensley (ex-Uriah Heep) on keyboards and string arrangements being used on certain tracks.
Mean man was issued at the end of February 1989 and becomes the bands first U.K. Top 30 Hit. The actual album was issued in April and they planed to tour that month too, but the bands inability to find a suitable drummer lead to the tour being re-scheduled for May, when Frankie was free to join the band after finishing touring with Quiet Riot. Their British tour was supported by Zed Yago and was completed at the end of May. Also in May "THE REAL ME" (a cover of The Who's classic from Quadrophenia) was issued. FOREVER FREE was also released and gets to number 25 in the U.K. singles chart.
Rumours start to amount that Chris Holmes has left the band and this is confirmed. Blackie announces that he is working on a new project, a rock opera, which is to be called "THE CRIMSON IDOL" without Chris.
In March of 1992 the single "CHAINSAW CHARLIE" (the first single in three years) is released followed by the album "THE CRIMSON IDOL" in June. It was recorded at Blackie's Fort Apache studios and was written and produced by the man himself.. Frankie Banalli left the band during the recording sessions and Stret Howland took over on drums, also Johnny Rod does not play on the album, but he is later re-recruited for the tour . Bob Kulluck is included and takes over on guitar for studio work only.
August 1992 W.A.S.P play Castle Donington, Monster of Rock festival in the U.K, headlined by Iron Maiden, and also tour later that year. The touring line up included Blackie, Johnny Rod, Stret Howland and Doug Blair.
The single "SUNSET AND BABYLON" is issued in October 1993, followed by the release of the album "FIRST BLOOD….LAST CUTS" in the same month. Around this time Blackie declares that he has disbanded W.A.S.P to pursue a solo career.
Blackie signs a new record deal with Castle records and in June 1995, the album "STILL NOT BLACK ENOUGH" is released still under the name W.A.S.P. Blackie stated that at the time that he had began writing the album, he had intended to put W.A.S.P behind him, but as the album come together there were songs in the classic W.A.S.P style and it seemed natural to call it a W.A.S.P album, anything else would not have been true to the many legions of W.A.S.P fans who had shared the experiences. "BLACK FOREVER" a CD single was also issued too. W.A.S.P do not tour, but Blackie makes personal appearances to promote the record.
March 1997 leads to the release of "KILL FUCK DIE" through Raw Power and a one track limited edition CD of the same name was released a month earlier. The album has a much darker mood to it and has included the return of guitar player Chris Holmes to the band. Stret Howland is also in the band and Mike Duda is added on bass guitar. The band tours and their stage show is very outrageous, it included the raping of a nun and the cutting up of a pig.
W.A.S.P sign a new deal with CMC International Records and Blackie wins a court case against Capitol and contains full control of the W.A.S.P back-catalogue. He re-masters the catalogue and re-issues them with B sides and live performances added.
"DOUBLE LIVE ASSASSINS" is released in the U.K. in February 1998 and in the U.S. in June. This is a live album which was recorded on their world tour in 1997. They join the Metal Manics tour with Iron Maiden, but due to problems with the tour they pull out.
In January of 1999 Blackie announces the name of the new album which is called "HELLDORADO" it is to be released in May followed by a European tour.
After completing a successful European Tour in June 1999. Blackie at to postpone the U.S. Tour due to a injury on his elbow.
February 2000, W.A.S.P embark on their long awaited American Tour. A Best Of CD entitled 'The Best Of The Best' is released in March. The CD included classic songs such as Animal, L.O.V.E Machine and Wild Child. Also there were two extra tracks on the CD, a version of the Elton John hit 'Saturday Nights Alright For Fighting' and a new track entitled 'Unreal'.
The band play a show at the Key Club in Los Angeles on April 22nd 2000. This show was broadcasted live all around the world via the internet. This was an historic event in W.A.S.P history and fans came together from all over the world to watch the same show. It was amazing.
In May of 2000 W.A.S.P took part in charity show sponsored by Concreate Marking in which all proceeds of the ticket sales went to the T.J. Mashal foundation. Other bands that took part in this event where Great White and Megadeath. Parts of this show was also recorded for an Hollywood film.
October 2000 saw the release of a CD called 'The Sting'. This CD is a recording of the Netcast show that took place at the Key Club Los Angeles on April 22nd 2000.
W.A.S.P. released Unholy Terror through the Metal-is label, on April 9th 2001. It was Recorded in Los Angeles with W.A.S.P main man Blackie Lawless at the production helm, 'UNHOLY TERROR' dealt with many issues that Blackie sees in the world today, and never being afraid to comment on these issues through his music said: ''One subject that this album deals with is socio, religious, and political hypocrisy. I had a fundamentalist Christian upbringing and I grew up seeing the world through a different pair of eyes''. In the song 'Charisma', Lawless, who has constantly been the target of religious zealots throughout his career, explains: ''There's a dark side of charisma that mesmerizes all of us when we look at the world figures who possess that dark gift. In the song there's a line that goes 'Preaching fear and using religion with the Bible and Koran', as often organised religions wield a mighty power over it's congregations in the name of God''. That said, this is still a Rock n' Roll record, and sees W.A.S.P's trademark high octane brand of relentless, driving rock, standing shoulder to shoulder with songs about Disaffected Youth and Dictators, Popes and Politicians, and will surely go down as one of their most accomplished albums to date.
They played some European festivals in June, July & August of 2001, before returning to the U.S.A to do an Autumn Tour.
On June 11th, shock rock innovators W.A.S.P. will release their most inspired effort to date through Sanctuary/Metal-Is Records.. On the heals of 2001's critically acclaimed Unholy Terror (heralded as an "…excuse to flay your carcass more ruthlessly than anyone else can…" by L.A. Weekly and "…hard, nasty and loud…" by Hit Parader Magazine), Blackie Lawless and company are unleashing a 10-track demonstration of inspiration through aggression entitled Dying For The World.
With a lineup that currently consists of vocalist/guitarist/ringleader Blackie Lawless, longtime contributing drummer Frankie Banali and bassist Mike Duda, and newcomer Darrell Roberts (who joined the band just prior to the Unholy Terror U.S. Tour), Dying For The World was recorded and mixed at Blackie's studio in Los Angeles. The album was actually inspired by letters received from troops who fought in the Gulf War.
Blackie explains: "Our motivation for this record was prefaced by letters sent to us from the tank divisions during the Gulf War, where the troops would actually go into battle blaring 'Fuck Like A Beast' and 'Wild Child.' After the events on 9/11, we felt we would give them a fresh batch; in essence, we've literally made an album to go kill people by."
Consisting of songs entitled "Shadow Man," "Hell For Eternity," "Trail Of Tears," "Rubberman," "My Wicked Heart," "Stone Cold Killers," "Hallowed Ground," "Hallowed Ground #5 (acoustic)," "Black Bone Torso," and "Revengence," Dying For The World emphasizes a method of dealing with anger.
A native of Staten Island, Blackie elaborates: "This problem isn't going to go away; we WILL have to deal with the Middle East eventually. There is no longer an 'if', it's 'when'!"s 'when'!"
W.A.S.P. have cancel their U.S. tour scheduled for fall 2002, due to the fact that the band are continuing work on the forthcoming studio album, which will be a double record set scheduled for release in the fall of 2004
Due to the enormity and the complexities of what will be a concept/ opera, the band feel that they will need as much time as possible in effort to make this forthcoming release everything that it can possibly be.
Source: http://www.waspnation.com/history.html |
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Discussion Topic
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Creator
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The Best Of The Best (2000)
1. Saturday Night's Alright For Fighting
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Replys
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Listener
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2. Animal (Fuck Like A Beast)
I got pictures of naked ladies
Lying on their beds
I whiff that smell and sweet convulsion
Starts a-Swelling inside my head
I'm making artificial lovers for free
I start to howl I'm in heat
I moan and growl and the hunt drives me crazy
I f*** like a Beast
I come round, round i come feel your love
Tie you down, down i come steal your love
I come round, round i come feel your love
Tie you down, down i come steal your love
I'm on the prowl and i watch you closely
I lie waiting for you
I'm the wolf with the sheepsskins clothing
I lick my chops and your tasting good
I do whatever i want to, to ya
I'll nail your ass to the sheets
A pelvic thrust and the sweat starts to sting
ya
I f*** like a beast
I come round, round i come feel your love
Tie you down, down i come steal your love
I come round, round i come feel your love
Tie you down, down i come steal your love
Come ride, savage seduction
Ride, ride, ride | riff_master |
3. I Wanna Be Somebody
You say you don't wanna run and hide
A face that no-one knows
And everyone ya meet, you're gonna show
You're nobody's slave, nobody's
chains are holdin' you
You hold your fist up high,
And rule the zoo
Oh, you just got to be
Up high where the whole world's watchin
me
Cos I, I got the guts to be somebody
To cry out
I wanna be somebody,
Be somebody soon
I wanna be somebody
Be somebody too
You say you don't wanna starve
Or take the table crumbs that fall
You don't wanna beg or plead at all
You don't want no nine to five
Your fingers to the bone
You don't want the rock piles' bloody
stones
Oh, you just got to be
Up high where the whole world's watchin
me
Cos I, I got the guts to be somebody
To cry out
I wanna be somebody,
Be somebody soon
I wanna be somebody
Be somebody too
I want shiny cars and dirty money
Lotsa rock and roll
I will live in fame and die in flames
I'm NEVER gettin' old
I wanna be somebody,
Be somebody soon
I wanna be somebody
Be somebody too
I'm gonna be somebody,
I'm gonna be somebody | riff_master |
4. L.O.V.E. Machine
Lady, have you no reason?
To pass this love unseen
There go my heels rising
Venus make me king
That chain of broken hearts
They all belong to me
Magic runs through my fingers
One touch you'll see!
L.O.V.E.
All I need is my love to sing, oh
L.O.V.E.
All I need is my love to sing, oh
L.O.V.E.
All I need is my love to sing, oh
L.O.V.E.
All I need is my love to sing tonight!
Tonight!
What can I do for you
And I know your wildest dreams
What do I move in you, and
How would I seem?
Mercy! Life! You cry
Love brings you pain!
And if you try to love me
You'll not be the same!
L.O.V.E.
All I need is my love to sing, oh
L.O.V.E.
All I need is my love to sing, oh
L.O.V.E.
All I need is my love to sing, oh
L.O.V.E.
All I need is my love to sing tonight!
Tonight!
L.O.V.E.
All I need is my love to sing, oh
L.O.V.E.
All I need is my love to sing, oh
L.O.V.E.
All I need is my love to sing, oh
L.O.V.E.
All I need is my love to sing tonight!
Tonight! | riff_master |
5. On Your Knees
Dancing with danger
Right out your door
The silk hat you buy
And you sell
Mommy and daddy said
The life that you led
Will probably lead your way to hell!
On your knees!
Are you sassy?
On your knees!
Cause I want you
On your knees!
Are you sassy?
On your knees!
Cause I need you
Playing with fire
Lusting with burns
Thrusting the flames in your eyes!
Sex is painted same
They're really the same
Just use and abuse them
On your knees!
Are you sassy?
On your knees!
Cause I want you
On your knees!
Are you sassy?
On your knees!
Cause I need you
On your knees
that's where you all shall be!
Well, I'll get you contest
Your first really sin, ha-ha-ha!!!
Running in the wild wind!
And the dark fills the mystery!
We'll all be there someday!
On your knees!
Are you sassy?
On your knees!
Cause I want you
On your knees!
Are you sassy?
On your knees!
Cause I need you
Yeah! | riff_master |
6. Show No Mercy | riff_master |
7. Blind In Texas
An El Paso hellhole I couldn't higher
White lightning moonshine tastes like fire
I drank for free till I couldn't see
I fell on the floor, what I said is
I'm blind in Texas, the lone star is hot
tonight
I'm blind in Texas, the cowboys have taken
my eyes
I drank Dallas whiskey and lost my mind
Had high-balls in Houston, three for a dime
Everything starts to spin, loaded on gin
I fell out the door, what I said is
I'm blind in Texas, the lone star is hot
tonight
I'm blind in Texas, the cowboys have taken
my eyes
San Antonio and the West Texas town El Paso
Corpus Christi and Waco, the Yellow Rose is
wild
Hey dude, let's party
Raisin hell in Austin just after sundown
When the hoosegow police decided to come
round-they said
"Boy what's the matter with you,
what you trying to do?"
I looked at the man and I said
I think I'll have another one
We aint got no more
What do ya mean you ain't got no more
liquor?
We aint got no more
Go home what do ya mean go home?
What am I supposed to do... get on a horse
and ride back to LA
The hell you say... suffer!
I'm blind in Texas, the lone star is hot
tonight
I'm blind in Texas, I'm blind (Texas,
texas, texas) | riff_master |
8. Wild Child
I ride, I ride the winds that bring the rain
A creature of love and I can't be tamed
I want you, cause I'm gonna take your love
from him
And I'll touch your face and hot burning
skin
No, he'll never ever touch you like I do
So look in my eyes and burn alive the truth
I'm a wild child, come and love me I want
you
My heart's in exile I need you to touch
me
Cause I want what you do... I want you
Tell me, tell me the lies you're telling
him
When you run away cause I wanna know
Cause I, I'm sure it's killing him to
find
That you run to me when he lets you go
Cause I'm burning, burning, burning up
with fire
So come turn me on and turn the flames up
higher
I'm a wild child, come and love me I want
you
My heart's in exile I need you to touch
me
Cause I want what you do... I want you
A naked heat machine, I want your love
When the moons arise we'll feel just what
it does
I'm a wild child, come and love me I want
you
My heart's in exile I need you to touch
me
Cause I want what you do I want you | riff_master | 9. Sex Drive
I got a message for you, it's something
you love to do
You're thinking bout it all the time
You're lying in bed and it runs through
your head
Cause you can't get it off your mind
You been thinking pink and you're losing
sleep
That rush is almost all you can stand
You feel it getting hard and your crotch
starts to throb
It's body language you understand
I'm talking bout a sex drive
Ooh, it makes you feel so alive
Sex drive
Ooh, it's everything you fantasize
Like a dog in heat all dirty love is a treat
And ya know it's just too good to believe
That feeling second to none, you pull the
trigger on your gun baby
Gotta get some relief
Your hands they tremble and sweat and you
want all you can get
A need to get close inside
Yeah you can take a lickin' and keep on
tickin' cause
You want to go on all night
I'm talking bout a sex drive
Ooh, it makes you feel so alive
Sex drive
Ooh, it's everything you fantasize
Come here and take what you need baby
I'm talking bout a sex drive
Ooh, it makes you feel so alive
Sex drive
Ooh, it's everything you fantasize
Sex drive
Tell me that don't hit the spot! | riff_master |
10. 9. 5. - N.A.S.T.Y.
One woman down my street is too hot for the
average man
Hard to handle, a fire in her eyes
Wants the hot rocks right in her hand
I know she's burning, hot with love
A come-on look and she ain't fooling
And she knows just what it does
She gave me a number to make me feel fine
Said call me up baby
It's gonna 9.5. - N.A.S.T.Y.
You're everything I need
'Cause I want what you're giving
I'm yours to do with what you please
N.A.S.T.Y., you're everything I need
'Cause I want what you're giving
I'm yours to do with what you please
Ooh - no mama's baby, this child
She's a killer wrapped in high-heel shoes
Touch the skin - it burns like fire
I don't even care if I'm being used
Threw me down and then she tore off my jeans
She said, come on, babe, I mean business
I'm gonna show you what liberation means
Do it to me baby
I'm losing my mind
Said call me up honey
Tonight I'm 9.5. - N.A.S.T.Y.
You're everything I need
'Cause I want what you're giving
I'm yours to do with what you please
N.A.S.T.Y., you're everything I need
'Cause I want what you're giving
I'm yours to do with what you please
Some bad habits are hard to break
Like an earthquake coming
I got to shake, shake, shake
9.5. - N.A.S.T.Y.
You're everything I need
'Cause I want what you're giving
I'm yours to do with what you please | riff_master |
11. Mean Man
A tattooed madman, I am hell on wheels
Born a wicked child left alone in the fields
My father was the wind, my mother was fire
Raised by the wolves and I grew up wild
A kamakazi man, a hollering
"Banzai"
Never crash and born, never donna die
Cannibal is me, ya squeal and shout
I chew ya up and spit ya out
Storms a c-c-coming and it's gonna be me
Here comes Trouble, with a capital
"T"
Cause I'm a mean mother fucking man,
riding the wind
And know I'll be damned
All the way, all the way
All the way
Chewbacca in the rye
The water of fire,
A terror in the flesh, a killer for hire
California man
I'm white line,"Homer"
The unruly one they call the "Blond
Bomber"
Scooter gypsy, I'm a renegade
An orphan of the road
A live hand grenade
Never gonna quit before my time
When the moon gets high, then I'll be
blind
Mad dog 20-20's king
I drink that stuff and start getting obscene
Cause I'm a mean mother fucking man
I gotta scream that's what I am
All the way all the way
Cause I'm a mean mother fucking man
Riding the wind and know I'll be damned
All the way, all the way, all the way
I'm a motorcycle man
Don't never give a damn
I lie when the truth serves better
The Marquis De Sade
I cheat and steal and rob
A Heavy Metal Creature
Cause I'm a mean mother fucking man
I gotta scream, that's what I am
All the way, all the way
Cause I'm a mean mother fucking man
I gotta scream, that's what I am
All the way, all the way
Cause I'm a mean mother fucking man
Riding the wind and know I'll be damned
All the way, all the way | riff_master |
12. Chainsaw Charlie (Murders In The New
Morgue)
O.K. boy now here's your deal
Will you gamble your life?
Sign right here on the dotted line
It's the one you've waited for all of
your life
Ah - will it feed my hunger
If I swallow lies right down my throat?
Or will it choke me till I'm raw?
And tomorrow when I'm gone
Will they whore my image on?
I'll will my throne away, to a virgin heir
and Charlie's slave
Murders, murders in the new morgue
urders, murders in the new morgue
See old Charlie and the platinum armys
Making me their boy
Murders, murders in the new morgue
Murders, murders in the new morgue
He'll make ya scream for the cash machine
Down in Chainsaw Charlie's morgue
We'll sell your flesh by the pound
you'll go
A whore of wrath just like me
We'll sell ya wholesale, we'll sell
your soul
Strap on your sixstring and feed our machine
Ah - will it feed my hunger
f I swallow lies right down my throat?
Or will it choke me till I'm raw?
And tomorrow when I'm gone
Will they whore my image on?
I'll will my throne away, to a virgin heir
and Charlie's slave
Welcome to the morgue boy
Where the music comes to die
Welcome to the morgue son
I'll cut your throat just to stay alive
Ah, trust me boy
I won't steer you wrong
If you trust me son
You won't last very long
I'm the president of showbiz, my name is
Charlie
I'm a cocksucking asshole, that's what
they call me
Here from my Hollywood tower I rule
I'm lying motherfucker, tje chainsaw's
my tool
The new morgue's our factory, to grease
our lies
Our machine is hungry, it needs your life
Don't mind the faggots, and the ruthless
scum
Before we're done, son we'll make you
one
I'm the tin man, I've never had a
heart
I'm the tin man, But I'll make you a
star
I'm the tin man, I've never had a
heart
I'm the tin man, but I'll make me the
star | riff_master |
13. Unreal | riff_master |
14. Helldorado
I hear the motor running
Burning up the road
Tail-pipes-a-draggin'
Fire in the smoke
And I say "Hell yeah!!"
I say "Hell yeah!!"
Ooh she's a monster
Take me on home
This ain't no joyride
Do you wanna go?
This ain't your Daddy's Oldsmobile,
no!
I hear the beast a-coming
To get another load
Of fire and brimstone
Do you wanna go?
And I say - Hell yeah!!
I say - Hell yeah!!
Ooh it's a monster
Rolling me (on) home
This ain't no joyride
No, no oh
Do we get a driver?
You bet your ass we do!
Tonight - It's all over now
Ooh, Hell's just one mile down the road
Goodbye - it's all over now (so long)
My Helldorado's goin home
Take me to Hell
Cause I'm going there
Hot rods to Hell
Helldorado
Take me to Hell
I'm going where
The Devil's there
In Helldorado | riff_master |
15. Dirty Balls
I wanna ride you
Like the animal you are
I wanna ride you til you're raw
I wanna slide up all inside
All over you
I wanna do you like
The wicked bitch you are
Call me a bastard
A real bad attitude
Shove it in their faces
Show my dirty ooh
I'm gonna do you like
The savages you are
I wanna do ya til you die
I'm gonna ride 'em cowboy style
For all to see
Make 'em all my bitches
Take 'em all and make 'em cry
Oh am I nasty?
Do you think I'm rude?
I just wanna see ya'
Hold my dirty ooh
Dirty balls, balls, balls
Is all I need
Hang 'em high oh tonight
So the world can see
Dirty - balls, balls, balls
Is all I need
So dirty oh Lord a' mercy
All I want to see
I'm gonna hold, gonna hold em'
High, high, high
So dirty, oh so dirty oh
Til I die, die, die | riff_master | | | |
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